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dc.contributor.advisorCompitello, Malcolmen_US
dc.contributor.advisorWilliamsen, Amy R.en_US
dc.contributor.authorAbraham, James Thorp
dc.creatorAbraham, James Thorpen_US
dc.date.accessioned2013-04-18T09:54:19Z
dc.date.available2013-04-18T09:54:19Z
dc.date.issued1998en_US
dc.identifier.urihttp://hdl.handle.net/10150/282604
dc.description.abstract"Los espanoles en Chile: A Distributed Multimedia Edition" joins computer technology and the comedia to produce a text that engages the user beyond the limits of traditional printed material. First, the project establishes a modern, critical edition of the 1665 princeps edition collated with the 1761 and 1841 editions. The critical text is then written in hypertext markup language (HTML) and combined with digitized images scanned from the early publication. Next, the critical edition provides a connection to a collection of resources accessible via hyperlinks. Because the critical bibliography, glossary and explanatory notes are also hyperlinked, they do not interrupt the reader's flow of the interest. Third, the inclusion of graphic materials such as representations of stage designs, costumes, blocking, machinery, historical materials and related artistic works, immerse the user in contextual information that contributes to an understanding of the play and its relation to Spanish and world literature. Finally, the unique opportunities of digital multimedia, including sound, animation and video, facilitate the perception of the relationship between text and performance. The contribution of each of these elements to Francisco Gonzalez de Bustos's Los espanoles en Chile at once enlivens the seventeenth-century text and enriches the reader's experience with Spanish Golden Age theater.
dc.language.isoen_USen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectLiterature, Romance.en_US
dc.subjectTheater.en_US
dc.subjectInformation Science.en_US
dc.title"Los espanoles en Chile": A distributed multimedia editionen_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.identifier.proquest9829332en_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineSpanish and Portugueseen_US
thesis.degree.namePh.D.en_US
dc.description.noteThis item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution images for any content in this item, please contact us at repository@u.library.arizona.edu.
dc.identifier.bibrecord.b38552206en_US
dc.description.admin-noteOriginal file replaced with corrected file October 2023.
refterms.dateFOA2018-06-24T03:46:53Z
html.description.abstract"Los espanoles en Chile: A Distributed Multimedia Edition" joins computer technology and the comedia to produce a text that engages the user beyond the limits of traditional printed material. First, the project establishes a modern, critical edition of the 1665 princeps edition collated with the 1761 and 1841 editions. The critical text is then written in hypertext markup language (HTML) and combined with digitized images scanned from the early publication. Next, the critical edition provides a connection to a collection of resources accessible via hyperlinks. Because the critical bibliography, glossary and explanatory notes are also hyperlinked, they do not interrupt the reader's flow of the interest. Third, the inclusion of graphic materials such as representations of stage designs, costumes, blocking, machinery, historical materials and related artistic works, immerse the user in contextual information that contributes to an understanding of the play and its relation to Spanish and world literature. Finally, the unique opportunities of digital multimedia, including sound, animation and video, facilitate the perception of the relationship between text and performance. The contribution of each of these elements to Francisco Gonzalez de Bustos's Los espanoles en Chile at once enlivens the seventeenth-century text and enriches the reader's experience with Spanish Golden Age theater.


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