La Monica: A Study of Early Baroque Performance Practices as Applied to Philipp Friedrich Böddecker' s Sonata sopra "La Monica"

Persistent Link:
http://hdl.handle.net/10150/613349
Title:
La Monica: A Study of Early Baroque Performance Practices as Applied to Philipp Friedrich Böddecker' s Sonata sopra "La Monica"
Author:
Watson, Rebecca Leigh Hagen
Issue Date:
2016
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
In the course of this work, examples of early baroque ornamentation extracted from historical vocal treatises will be applied to Philipp Friedrich Böddecker's "Sonata sopra 'La Monica.'" This study will demonstrate that Böddecker's sonata for bassoon and basso continuo is derived from a popular vocal tune of the 17th century and therefore an informed early baroque instrumental performance practice for this work can be extracted from early Baroque Era vocal performance treatises. Additionally, testimonies from authentic performance practices of the early Baroque Era will be applied to this work in an effort to create a guide to a historically informed performance.
Type:
text; Electronic Dissertation
Keywords:
Friedrich; La Monica; Philipp; Music; Böddecker
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music
Degree Grantor:
University of Arizona
Advisor:
Dietz, William

Full metadata record

DC FieldValue Language
dc.language.isoen_USen
dc.titleLa Monica: A Study of Early Baroque Performance Practices as Applied to Philipp Friedrich Böddecker' s Sonata sopra "La Monica"en_US
dc.creatorWatson, Rebecca Leigh Hagenen
dc.contributor.authorWatson, Rebecca Leigh Hagenen
dc.date.issued2016-
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.description.abstractIn the course of this work, examples of early baroque ornamentation extracted from historical vocal treatises will be applied to Philipp Friedrich Böddecker's "Sonata sopra 'La Monica.'" This study will demonstrate that Böddecker's sonata for bassoon and basso continuo is derived from a popular vocal tune of the 17th century and therefore an informed early baroque instrumental performance practice for this work can be extracted from early Baroque Era vocal performance treatises. Additionally, testimonies from authentic performance practices of the early Baroque Era will be applied to this work in an effort to create a guide to a historically informed performance.en
dc.typetexten
dc.typeElectronic Dissertationen
dc.subjectFriedrichen
dc.subjectLa Monicaen
dc.subjectPhilippen
dc.subjectMusicen
dc.subjectBöddeckeren
thesis.degree.nameD.M.A.en
thesis.degree.leveldoctoralen
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineMusicen
thesis.degree.grantorUniversity of Arizonaen
dc.contributor.advisorDietz, Williamen
dc.contributor.committeememberKirkbride, Jerryen
dc.contributor.committeememberKatzen, Danielen
dc.contributor.committeememberBrobeck, John T.en
dc.contributor.committeememberRosenblatt, Jayen
dc.contributor.committeememberDietz, Williamen
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