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Behind the Facade: Mo Yan's Portrayals of Women: Models of Liberation or Objects of Male Desire?
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|dc.title||Behind the Facade: Mo Yan's Portrayals of Women: Models of Liberation or Objects of Male Desire?||en_US|
|dc.publisher||The University of Arizona.||en|
|dc.description.release||This thesis is not available. If you are the author and would like to make this thesis available, please contact us at email@example.com.||en|
|dc.description.note||This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution images for any content in this item, please contact us at firstname.lastname@example.org.||en|
|dc.subject||East Asian Studies||en|
|thesis.degree.discipline||East Asian Studies||en|
|thesis.degree.grantor||University of Arizona||en|
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