Persistent Link:
http://hdl.handle.net/10150/333472
Title:
Trinity
Author:
Lin, Kuei-Fan
Issue Date:
2014
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
Trinity is an original musical composition for chamber ensemble and electroacoustic music. It is approximately 32 minutes in duration. Trinity is inspired by the basic triune principles of traditional Christianity: three persons, one body. The piece combines modern acoustic and electronic compositional techniques--especially serialism--with formal structures that are inspired by the basic triune of Christianity, the Holy Trinity. The references for this supportive document concentrate on twentieth-century composers who composed music influenced by their religiosity and spirituality. Their music and religious philosophies consequently inspired the composition of Trinity. All of the electroacoustic sounds in Trinity are from pre-recorded instrument sounds that are digitally manipulated in various software. Through the use of existing compositional methods--especially serialism--and current electroacoustic music techniques, Trinity is part of a long tradition of religion and spirituality in music.
Type:
text; Electronic Dissertation
Keywords:
electroacoustics; Trinity; Music; chamber ensemble
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music
Degree Grantor:
University of Arizona
Advisor:
Walsh, Craig T.

Full metadata record

DC FieldValue Language
dc.language.isoen_USen
dc.titleTrinityen_US
dc.creatorLin, Kuei-Fanen_US
dc.contributor.authorLin, Kuei-Fanen_US
dc.date.issued2014-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractTrinity is an original musical composition for chamber ensemble and electroacoustic music. It is approximately 32 minutes in duration. Trinity is inspired by the basic triune principles of traditional Christianity: three persons, one body. The piece combines modern acoustic and electronic compositional techniques--especially serialism--with formal structures that are inspired by the basic triune of Christianity, the Holy Trinity. The references for this supportive document concentrate on twentieth-century composers who composed music influenced by their religiosity and spirituality. Their music and religious philosophies consequently inspired the composition of Trinity. All of the electroacoustic sounds in Trinity are from pre-recorded instrument sounds that are digitally manipulated in various software. Through the use of existing compositional methods--especially serialism--and current electroacoustic music techniques, Trinity is part of a long tradition of religion and spirituality in music.en_US
dc.typetexten
dc.typeElectronic Dissertationen
dc.subjectelectroacousticsen_US
dc.subjectTrinityen_US
dc.subjectMusicen_US
dc.subjectchamber ensembleen_US
thesis.degree.nameD.M.A.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorWalsh, Craig T.en_US
dc.contributor.committeememberWalsh, Craig T.en_US
dc.contributor.committeememberAsia, Danielen_US
dc.contributor.committeememberDecker, Pamelaen_US
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