The Duality of Settings: How the Acoustics of Different Audition Environments Necessitate a Two-Fold Preparation of Audition Excerpts

Persistent Link:
http://hdl.handle.net/10150/332739
Title:
The Duality of Settings: How the Acoustics of Different Audition Environments Necessitate a Two-Fold Preparation of Audition Excerpts
Author:
van Duuren, Alexander
Issue Date:
2014
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
It is widely known that intonation in live professional trombone auditions is one of the most critical factors for which execution is paramount. However, the musician who practices dutifully and precisely with a chromatic tuner, even to the point of technical mastery, will not be prepared sufficiently. He or she will find that in certain environments where heavy reverberation is present, the harmonies inadvertently created are not in tune, even when equal-tempered tuning is executed perfectly, due to the harmonic interactions that those reverberations create. Therefore, it is important that trombonists know how to play auditions excerpts with just intonation, a system that accounts for harmony to deliver results that are truly in tune, for use in the solo round of an audition in such an acoustically "wet" space. This document demonstrates the need for a solution in this regard, the factors involved in a practical application of these concepts in varying scenarios, and presents analyses in just intonation of ten of the most commonly requested excerpts. In addition, guidance and resources are provided for application beyond the excerpts that have been included. It is intended that the trombonist who reads this document will have a better understanding of the basics of just intonation as they apply to solo auditions, so that the quality of his or her audition is improved by leaving at least one less element, intonation, up to chance.
Type:
text; Electronic Dissertation
Keywords:
Just intonation; Orchestral excerpts; reverberation; trombone; Music; audition
Degree Name:
D.M.A
Degree Level:
doctoral
Degree Program:
Graduate College; Music
Degree Grantor:
University of Arizona
Advisor:
Paiewonsky, Moisés

Full metadata record

DC FieldValue Language
dc.language.isoen_USen
dc.titleThe Duality of Settings: How the Acoustics of Different Audition Environments Necessitate a Two-Fold Preparation of Audition Excerptsen_US
dc.creatorvan Duuren, Alexanderen_US
dc.contributor.authorvan Duuren, Alexanderen_US
dc.date.issued2014-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractIt is widely known that intonation in live professional trombone auditions is one of the most critical factors for which execution is paramount. However, the musician who practices dutifully and precisely with a chromatic tuner, even to the point of technical mastery, will not be prepared sufficiently. He or she will find that in certain environments where heavy reverberation is present, the harmonies inadvertently created are not in tune, even when equal-tempered tuning is executed perfectly, due to the harmonic interactions that those reverberations create. Therefore, it is important that trombonists know how to play auditions excerpts with just intonation, a system that accounts for harmony to deliver results that are truly in tune, for use in the solo round of an audition in such an acoustically "wet" space. This document demonstrates the need for a solution in this regard, the factors involved in a practical application of these concepts in varying scenarios, and presents analyses in just intonation of ten of the most commonly requested excerpts. In addition, guidance and resources are provided for application beyond the excerpts that have been included. It is intended that the trombonist who reads this document will have a better understanding of the basics of just intonation as they apply to solo auditions, so that the quality of his or her audition is improved by leaving at least one less element, intonation, up to chance.en_US
dc.typetexten
dc.typeElectronic Dissertationen
dc.subjectJust intonationen_US
dc.subjectOrchestral excerptsen_US
dc.subjectreverberationen_US
dc.subjecttromboneen_US
dc.subjectMusicen_US
dc.subjectauditionen_US
thesis.degree.nameD.M.Aen_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorPaiewonsky, Moisésen_US
dc.contributor.committeememberPaiewonsky, Moisés A.en_US
dc.contributor.committeememberThomas, Kellyen_US
dc.contributor.committeememberReid, Edwarden_US
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