The Structure and Syntax of Stravinsky's Neoclassical Cadential Language

Persistent Link:
http://hdl.handle.net/10150/312625
Title:
The Structure and Syntax of Stravinsky's Neoclassical Cadential Language
Author:
Templin, Aaron
Issue Date:
2014
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
The neoclassical compositions of Igor Stravinsky have long provided scholars with a wealth of analytical possibilities. Many approaches to Stravinsky's neoclassical music have revolved around tonal implications therein. One tonal device, however, that has received little attention from the theory community is the common-practice cadence. This study seeks to present a theory of the manner in which Stravinsky's neoclassical compositional practice adheres to and varies from the well-formed standards of the common-practice era. Additional data is studied that shows trends throughout Stravinsky's neoclassical period. Finally, the research examines the future of neoclassical Stravinsky analysis and specifically addresses how this cadential study can contribute to the larger discussion of tonal implications in Stravinsky's neoclassical music.
Type:
text; Electronic Dissertation
Keywords:
Neoclassical; Stravinsky; Music; Cadence
Degree Name:
Ph.D.
Degree Level:
doctoral
Degree Program:
Graduate College; Music
Degree Grantor:
University of Arizona
Advisor:
Traut, Donald G.

Full metadata record

DC FieldValue Language
dc.language.isoen_USen
dc.titleThe Structure and Syntax of Stravinsky's Neoclassical Cadential Languageen_US
dc.creatorTemplin, Aaronen_US
dc.contributor.authorTemplin, Aaronen_US
dc.date.issued2014-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThe neoclassical compositions of Igor Stravinsky have long provided scholars with a wealth of analytical possibilities. Many approaches to Stravinsky's neoclassical music have revolved around tonal implications therein. One tonal device, however, that has received little attention from the theory community is the common-practice cadence. This study seeks to present a theory of the manner in which Stravinsky's neoclassical compositional practice adheres to and varies from the well-formed standards of the common-practice era. Additional data is studied that shows trends throughout Stravinsky's neoclassical period. Finally, the research examines the future of neoclassical Stravinsky analysis and specifically addresses how this cadential study can contribute to the larger discussion of tonal implications in Stravinsky's neoclassical music.en_US
dc.typetexten
dc.typeElectronic Dissertationen
dc.subjectNeoclassicalen_US
dc.subjectStravinskyen_US
dc.subjectMusicen_US
dc.subjectCadenceen_US
thesis.degree.namePh.D.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorTraut, Donald G.en_US
dc.contributor.committeememberTraut, Donald G.en_US
dc.contributor.committeememberPomeroy, Boyden_US
dc.contributor.committeememberDecker, Pamelaen_US
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