A performer's guide and new critical edition of Frank Martin's "Quatre Pieces Breves"

Persistent Link:
http://hdl.handle.net/10150/298797
Title:
A performer's guide and new critical edition of Frank Martin's "Quatre Pieces Breves"
Author:
McCabe, Brent Poe
Issue Date:
2000
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
This three-part study traces the history and chronology of Frank Martin's Quatre Pieces Breves provides an introduction to Martin's compositional style, and examines elements of the work in regard to their significance for the performer. This study also addresses the discrepancies between the various sources of Quatre Pieces Breves , defines the role of Martin's collaborators, and justifies the new critical edition, which is based upon the author's conclusions. Frank Martin's 1933 piano score; GUITARE-Quatre Pieces Breves, published by Universal Edition in 1976, number UE 15041, is used as the primary interpretive model for the new critical edition because the author believes it preserves the composer's original intentions regarding this work. The result is a new, more authentic interpretation that is designed to serve as an alternate to the current, published edition.
Type:
text; Dissertation-Reproduction (electronic)
Keywords:
Music.; Education, Music.
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music and Dance
Degree Grantor:
University of Arizona
Advisor:
Patterson, Thomas

Full metadata record

DC FieldValue Language
dc.language.isoen_USen_US
dc.titleA performer's guide and new critical edition of Frank Martin's "Quatre Pieces Breves"en_US
dc.creatorMcCabe, Brent Poeen_US
dc.contributor.authorMcCabe, Brent Poeen_US
dc.date.issued2000en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThis three-part study traces the history and chronology of Frank Martin's Quatre Pieces Breves provides an introduction to Martin's compositional style, and examines elements of the work in regard to their significance for the performer. This study also addresses the discrepancies between the various sources of Quatre Pieces Breves , defines the role of Martin's collaborators, and justifies the new critical edition, which is based upon the author's conclusions. Frank Martin's 1933 piano score; GUITARE-Quatre Pieces Breves, published by Universal Edition in 1976, number UE 15041, is used as the primary interpretive model for the new critical edition because the author believes it preserves the composer's original intentions regarding this work. The result is a new, more authentic interpretation that is designed to serve as an alternate to the current, published edition.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.subjectMusic.en_US
dc.subjectEducation, Music.en_US
thesis.degree.nameD.M.A.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusic and Danceen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorPatterson, Thomasen_US
dc.identifier.proquest3002517en_US
dc.identifier.bibrecord.b41394057en_US
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