From Classic to Gothic: The interplay between the universals and the particulars in the European architectural history

Persistent Link:
http://hdl.handle.net/10150/291943
Title:
From Classic to Gothic: The interplay between the universals and the particulars in the European architectural history
Author:
Nakhai, Farzad, 1947-
Issue Date:
1991
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
This thesis deals with the development of and the interaction between the ideals of classical universalism and the ideas of Gothic particularism. Part One traces the birth and the development of classical universalism; Part Two, medieval particularism. Part Three deals with the renaissance of the classical formulas, the adversary position the Renaissance held against medievalism and its consequences for the succeeding centuries. Part Four deals with the ideas of particularism making a come-back, leading to the formation of the Gothic Revival Movement. The Gothic Revival Movement and its adversary position against classical universalism is treated in Part Five. Part Six looks at the ninteenth century Revivalism and the birth of the new industrial era.
Type:
text; Thesis-Reproduction (electronic)
Keywords:
Art History.; Architecture.
Degree Name:
M.S.
Degree Level:
masters
Degree Program:
Graduate College; Architecture
Degree Grantor:
University of Arizona
Advisor:
Matter, Fred S.

Full metadata record

DC FieldValue Language
dc.language.isoen_USen_US
dc.titleFrom Classic to Gothic: The interplay between the universals and the particulars in the European architectural historyen_US
dc.creatorNakhai, Farzad, 1947-en_US
dc.contributor.authorNakhai, Farzad, 1947-en_US
dc.date.issued1991en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThis thesis deals with the development of and the interaction between the ideals of classical universalism and the ideas of Gothic particularism. Part One traces the birth and the development of classical universalism; Part Two, medieval particularism. Part Three deals with the renaissance of the classical formulas, the adversary position the Renaissance held against medievalism and its consequences for the succeeding centuries. Part Four deals with the ideas of particularism making a come-back, leading to the formation of the Gothic Revival Movement. The Gothic Revival Movement and its adversary position against classical universalism is treated in Part Five. Part Six looks at the ninteenth century Revivalism and the birth of the new industrial era.en_US
dc.typetexten_US
dc.typeThesis-Reproduction (electronic)en_US
dc.subjectArt History.en_US
dc.subjectArchitecture.en_US
thesis.degree.nameM.S.en_US
thesis.degree.levelmastersen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineArchitectureen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorMatter, Fred S.en_US
dc.identifier.proquest1343702en_US
dc.identifier.bibrecord.b26844060en_US
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