The partsongs of Blas Galindo Dimas (1910-1993): The implications of nationalistic compositional techniques on the conductor's preparation and performance

Persistent Link:
http://hdl.handle.net/10150/290623
Title:
The partsongs of Blas Galindo Dimas (1910-1993): The implications of nationalistic compositional techniques on the conductor's preparation and performance
Author:
Caldwell, Lisa Marie, 1964-
Issue Date:
1996
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
The partsongs of Mexican composer, Blas Galindo Dimas (1910-1993) contain elements of pre-cortesian Mexican music and Mexican mestizo folk music. Galindo's musical background, and the nationalistic currents of thought that were present in Mexico during his youth and education influenced his compositional style. Galindo utilizes specific Mexican folk and indigenous traits. The information available to Galindo regarding pre-cortesian indigenous music is investigated. In addition, the Mexican folk form son is described. The alternation of meter in six and meter in three is known as sesquialtera, and is a defining characteristic of the son, subsequently used by Galindo in the partsongs. The inclusion of Mexican folk and indigenous style traits in Galindo's partsongs has implications for the choral conductor. Nationalistic traits in Galindo's works should be emphasized using proper Mexican folkloric performance practice. In addition, Galindo shows a high degree of sensitivity to the text. His declamation of the text preserves the natural word stress and paints word meanings with musical conventions. Descriptions of selected partsongs seek to identify nationalistic traits and the relationship of rhythm and meter to the text. The conductor is given rehearsal and performance suggestions for dealing appropriately with those traits.
Type:
text; Dissertation-Reproduction (electronic)
Keywords:
Music.
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music and Dance
Degree Grantor:
University of Arizona
Advisor:
Knott, Josef

Full metadata record

DC FieldValue Language
dc.language.isoen_USen_US
dc.titleThe partsongs of Blas Galindo Dimas (1910-1993): The implications of nationalistic compositional techniques on the conductor's preparation and performanceen_US
dc.creatorCaldwell, Lisa Marie, 1964-en_US
dc.contributor.authorCaldwell, Lisa Marie, 1964-en_US
dc.date.issued1996en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThe partsongs of Mexican composer, Blas Galindo Dimas (1910-1993) contain elements of pre-cortesian Mexican music and Mexican mestizo folk music. Galindo's musical background, and the nationalistic currents of thought that were present in Mexico during his youth and education influenced his compositional style. Galindo utilizes specific Mexican folk and indigenous traits. The information available to Galindo regarding pre-cortesian indigenous music is investigated. In addition, the Mexican folk form son is described. The alternation of meter in six and meter in three is known as sesquialtera, and is a defining characteristic of the son, subsequently used by Galindo in the partsongs. The inclusion of Mexican folk and indigenous style traits in Galindo's partsongs has implications for the choral conductor. Nationalistic traits in Galindo's works should be emphasized using proper Mexican folkloric performance practice. In addition, Galindo shows a high degree of sensitivity to the text. His declamation of the text preserves the natural word stress and paints word meanings with musical conventions. Descriptions of selected partsongs seek to identify nationalistic traits and the relationship of rhythm and meter to the text. The conductor is given rehearsal and performance suggestions for dealing appropriately with those traits.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.subjectMusic.en_US
thesis.degree.nameD.M.A.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusic and Danceen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorKnott, Josefen_US
dc.identifier.proquest9713404en_US
dc.identifier.bibrecord.b34401957en_US
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