Delito y huellas de la dictadura chilena en el espacio urbano de Santiago: Una investigacion de la caracterizacion y las funciones del medio ambiente en las novelas neopoliciales de Ramon Diaz Eterovic

Persistent Link:
http://hdl.handle.net/10150/282889
Title:
Delito y huellas de la dictadura chilena en el espacio urbano de Santiago: Una investigacion de la caracterizacion y las funciones del medio ambiente en las novelas neopoliciales de Ramon Diaz Eterovic
Author:
Collins, Shalisa Marie
Issue Date:
2005
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
The academic interest of this study is to determine the functions and uses of space in the detective novels of the Chilean author Ramon Diaz Eterovic. Diaz Eterovic's novels belong to the category of contemporary detective fiction in Latin America called novela negra or neopolicial, a literary form that borrows conventions from its predecessors but that modifies them according to the needs of the social context in which they are written. Little study has been done on the use of space in this type of narrative in spite of the fact that contrary to common practice among writers of classical detective fiction, authors of contemporary detective novels in Latin America privilege the development of space over other components of the text. In the detective novels of Diaz Eterovic space functions as an index of abstract categories of meaning. I apply principally structuralist theories and theories on space and the role of memory, as well as some urban theory, to look at the mechanisms used by the narrator to convey an ideological message through the representation of his physical and social surroundings. Space functions critically, pointing to the period of the Pinochet military dictatorship (1973-1989) as the cause of social, economic, and environmental problems that plague the country both during the military regime and well into the post-dictatorial years. I also look at how the representation of space evolves as the series progresses and the content of the novels moves away from the referent of the dictatorship which informs them. Diaz Eterovic modifies the function of the detective novel to encompass not only a critical agenda but also as a means of preserving the collective memory of the recent past which is quickly being forgotten.
Type:
text; Dissertation-Reproduction (electronic)
Keywords:
Literature, Latin American.
Degree Name:
Ph.D.
Degree Level:
doctoral
Degree Program:
Graduate College; Spanish and Portuguese
Degree Grantor:
University of Arizona
Advisor:
Promis, Jose M.

Full metadata record

DC FieldValue Language
dc.language.isoesen_US
dc.titleDelito y huellas de la dictadura chilena en el espacio urbano de Santiago: Una investigacion de la caracterizacion y las funciones del medio ambiente en las novelas neopoliciales de Ramon Diaz Eterovicen_US
dc.creatorCollins, Shalisa Marieen_US
dc.contributor.authorCollins, Shalisa Marieen_US
dc.date.issued2005en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThe academic interest of this study is to determine the functions and uses of space in the detective novels of the Chilean author Ramon Diaz Eterovic. Diaz Eterovic's novels belong to the category of contemporary detective fiction in Latin America called novela negra or neopolicial, a literary form that borrows conventions from its predecessors but that modifies them according to the needs of the social context in which they are written. Little study has been done on the use of space in this type of narrative in spite of the fact that contrary to common practice among writers of classical detective fiction, authors of contemporary detective novels in Latin America privilege the development of space over other components of the text. In the detective novels of Diaz Eterovic space functions as an index of abstract categories of meaning. I apply principally structuralist theories and theories on space and the role of memory, as well as some urban theory, to look at the mechanisms used by the narrator to convey an ideological message through the representation of his physical and social surroundings. Space functions critically, pointing to the period of the Pinochet military dictatorship (1973-1989) as the cause of social, economic, and environmental problems that plague the country both during the military regime and well into the post-dictatorial years. I also look at how the representation of space evolves as the series progresses and the content of the novels moves away from the referent of the dictatorship which informs them. Diaz Eterovic modifies the function of the detective novel to encompass not only a critical agenda but also as a means of preserving the collective memory of the recent past which is quickly being forgotten.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.subjectLiterature, Latin American.en_US
thesis.degree.namePh.D.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineSpanish and Portugueseen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorPromis, Jose M.en_US
dc.identifier.proquest3177528en_US
dc.identifier.bibrecord.b49000962en_US
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