Pos/modernidad y (multi)forma en la obra de dos poetas mexicanoscontemporaneos: Alberto Blanco y Coral Bracho

Persistent Link:
http://hdl.handle.net/10150/280090
Title:
Pos/modernidad y (multi)forma en la obra de dos poetas mexicanoscontemporaneos: Alberto Blanco y Coral Bracho
Author:
Rojas, Juan A.
Issue Date:
2002
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
Pos/modernidad y (multi)forma en la obra de dos poetas mexicanos contemporaneos: Alberto Blanco y Coral Bracho studies the effects of modernity in Contemporary Mexican poetry. According to literary critics such as Evodio Escalante and Christopher Dominguez, Blanco and Bracho in their radical experimentation of poetic language create a multiform that concedes diverse possibilities of expression. This dissertation is theoretically backed by the works of Nestor Garcia Canclini and Edward O. Wilson, which allow me to underscore the importance and influence of politics, economics, and culture in these Mexican poets. Chapter Two analyzes twenty-two poetic anthologies with the intention of demonstrating the effects of posmodernity in poetic production and diffusion as well as to create a historiographic approach to the generation of poets from the 50s. Chapters Three and Four observe the poetic multiform in the works of Blanco and Bracho respectively. This analysis in grounded in the theoretical insights of Edward O. Wilson that explain how Consilience is the unity of knowledge through science and humanities. Consequently, Blanco explores the various theories of Physics, specifically the fractals and the hologram, while Bracho follows the discourse of Deleuze and Guattari about Rhizomes.
Type:
text; Dissertation-Reproduction (electronic)
Keywords:
Language, Modern.; Literature, Latin American.
Degree Name:
Ph.D.
Degree Level:
doctoral
Degree Program:
Graduate College; Spanish and Portuguese
Degree Grantor:
University of Arizona
Advisor:
Gyurko, Lanin A.

Full metadata record

DC FieldValue Language
dc.language.isoesen_US
dc.titlePos/modernidad y (multi)forma en la obra de dos poetas mexicanoscontemporaneos: Alberto Blanco y Coral Brachoen_US
dc.creatorRojas, Juan A.en_US
dc.contributor.authorRojas, Juan A.en_US
dc.date.issued2002en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractPos/modernidad y (multi)forma en la obra de dos poetas mexicanos contemporaneos: Alberto Blanco y Coral Bracho studies the effects of modernity in Contemporary Mexican poetry. According to literary critics such as Evodio Escalante and Christopher Dominguez, Blanco and Bracho in their radical experimentation of poetic language create a multiform that concedes diverse possibilities of expression. This dissertation is theoretically backed by the works of Nestor Garcia Canclini and Edward O. Wilson, which allow me to underscore the importance and influence of politics, economics, and culture in these Mexican poets. Chapter Two analyzes twenty-two poetic anthologies with the intention of demonstrating the effects of posmodernity in poetic production and diffusion as well as to create a historiographic approach to the generation of poets from the 50s. Chapters Three and Four observe the poetic multiform in the works of Blanco and Bracho respectively. This analysis in grounded in the theoretical insights of Edward O. Wilson that explain how Consilience is the unity of knowledge through science and humanities. Consequently, Blanco explores the various theories of Physics, specifically the fractals and the hologram, while Bracho follows the discourse of Deleuze and Guattari about Rhizomes.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.subjectLanguage, Modern.en_US
dc.subjectLiterature, Latin American.en_US
thesis.degree.namePh.D.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineSpanish and Portugueseen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorGyurko, Lanin A.en_US
dc.identifier.proquest3060962en_US
dc.identifier.bibrecord.b43038311en_US
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