Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada

Persistent Link:
http://hdl.handle.net/10150/278748
Title:
Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada
Author:
Hoene, Katherine Anne
Issue Date:
2000
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
The purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878). The second generation model features the American Frederic Edwin Church (1826--1900), the Australian William Charles Piguenit (1836--1914), and the British Canadian Lucius Richard O'Brien (1832--1899). Cole and Martens, closer to their predecessors in England, created dynamic paradigm shifts in their new countries. Following them, the second generation of Romantic-realists produced a synthesis of romanticism, scientific naturalism, and nationalistic symbolism.
Type:
text; Thesis-Reproduction (electronic)
Keywords:
Biography.; Art History.
Degree Name:
M.A.
Degree Level:
masters
Degree Program:
Graduate College; Art History
Degree Grantor:
University of Arizona
Advisor:
Parry, Ellwood C., III

Full metadata record

DC FieldValue Language
dc.language.isoen_USen_US
dc.titleTracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canadaen_US
dc.creatorHoene, Katherine Anneen_US
dc.contributor.authorHoene, Katherine Anneen_US
dc.date.issued2000en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThe purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878). The second generation model features the American Frederic Edwin Church (1826--1900), the Australian William Charles Piguenit (1836--1914), and the British Canadian Lucius Richard O'Brien (1832--1899). Cole and Martens, closer to their predecessors in England, created dynamic paradigm shifts in their new countries. Following them, the second generation of Romantic-realists produced a synthesis of romanticism, scientific naturalism, and nationalistic symbolism.en_US
dc.typetexten_US
dc.typeThesis-Reproduction (electronic)en_US
dc.subjectBiography.en_US
dc.subjectArt History.en_US
thesis.degree.nameM.A.en_US
thesis.degree.levelmastersen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineArt Historyen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorParry, Ellwood C., IIIen_US
dc.identifier.proquest1403174en_US
dc.identifier.bibrecord.b41371495en_US
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