Cultural hybridization in the music of Paul Desenne: An integration of Latin American folk, pop and indigenous music with Western classical traditions.

Persistent Link:
http://hdl.handle.net/10150/267912
Title:
Cultural hybridization in the music of Paul Desenne: An integration of Latin American folk, pop and indigenous music with Western classical traditions.
Author:
Rondón, Tulio Jose
Issue Date:
2005
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
This project is an analytical and comprehensive study of the music of Venezuelan composer Paul Desenne, concentrating on his sonata, 'Jaguar Songs' for cello solo, written in the year 2002. The sonata, 'Jaguar Songs,' was written for French cellist Iseut Chuat and received the premiere performance by the composer Paul Desenne the following year in London. This sonata is a perfect tool for understanding Desenne's work and what I call his musical hybridization, which I consider to be a groundbreaking compositional style that will shape not only Venezuela's, but also Latin America's musical identity. After several personal interviews with the composer, I was able to deepen my understanding of his work. In the following pages I have analyzed 'Jaguar Songs' for cello solo and explained the influences and characteristics of Desenne's music.
Type:
text; Dissertation-Reproduction (electronic)
Keywords:
Desenne, Paul, 1959-; Music
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music and Dance
Degree Grantor:
University of Arizona
Advisor:
Green, Nancy

Full metadata record

DC FieldValue Language
dc.language.isoen_USen_US
dc.titleCultural hybridization in the music of Paul Desenne: An integration of Latin American folk, pop and indigenous music with Western classical traditions.en_US
dc.creatorRondón, Tulio Joseen_US
dc.contributor.authorRondón, Tulio Joseen_US
dc.date.issued2005-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThis project is an analytical and comprehensive study of the music of Venezuelan composer Paul Desenne, concentrating on his sonata, 'Jaguar Songs' for cello solo, written in the year 2002. The sonata, 'Jaguar Songs,' was written for French cellist Iseut Chuat and received the premiere performance by the composer Paul Desenne the following year in London. This sonata is a perfect tool for understanding Desenne's work and what I call his musical hybridization, which I consider to be a groundbreaking compositional style that will shape not only Venezuela's, but also Latin America's musical identity. After several personal interviews with the composer, I was able to deepen my understanding of his work. In the following pages I have analyzed 'Jaguar Songs' for cello solo and explained the influences and characteristics of Desenne's music.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.subjectDesenne, Paul, 1959-en_US
dc.subjectMusicen_US
thesis.degree.nameD.M.A.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusic and Danceen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorGreen, Nancyen_US
dc.contributor.committeememberGreen, Nancyen_US
dc.contributor.committeememberXiao, Hong-Meien_US
dc.contributor.committeememberRush, Marken_US
dc.identifier.proquest3205467-
dc.identifier.oclc826201945-
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