Cuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas

Persistent Link:
http://hdl.handle.net/10150/205177
Title:
Cuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas
Author:
Chavez-Rivera, Armando
Issue Date:
2011
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Embargo:
Embargo: Release after 08/08/2013
Abstract:
Cuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas begins with the premise that the values and requirements of a patriarchal society focuses on female icons of symbolic strength and weight. As icons, women are associated as being the center of the monogamous, heterosexual family and therefore, the image of Nation. In Latin America each hegemonic national project has elevated female icons that are a compact synthesis of that nation's essential and defining values. From that idea our research expands to examine how those hegemonic national discourses and imageries are refuted in the nineteenth century through other antagonistic discourses, each in turn putting forward other paradigms of women or other bodies on the literary plane. These test gender issues, sexuality and morality, and the authorized bodies of Woman/Nation are contrasted with other discordant, subversive, fictional faces. Our objective is to discover these images of rebellion, and evaluate the literary, political and ideological dialogue that has been established through these hegemonic female icons.In this sense, the discourses related to Manzano, Evita, and Arenas, three representative figures of diverse successive historical stages within the region throughout the nineteenth and twentieth centuries --from colonial slavery, populism and communism, to the postmodern-- corroborate that, in effect: Protests and revolutions have presented their own icons of woman or other subversive or discordant bodies in the face of female paradigms set by those in power.The theoretical and critical apparatus is based on the contributions of feminist criticism on women in literature, art and Latin American politics (Helena Araújo, Hélène Cixous, Lucía Guerra-Cunningham, Josefina Ludmer, Francine Masiello and Elaine Showalter), and studies on the links between sexuality, power and society (Judith Butler, bell hook, Michael Foucault, Edward Said and G. Ch. Spivak), as well as research on the formation of societies and national imagery in Latin America since the early nineteenth century (Mabel Moraña, Walter Mignolo and Ángel Rama), all of which is framed in the context of literary and aesthetic movements from neoclassicism to post-modernity.
Type:
text; Electronic Dissertation
Keywords:
Gender; Nation; Sexuality; Woman; Spanish; Argentina; Cuba
Degree Name:
Ph.D.
Degree Level:
doctoral
Degree Program:
Graduate College; Spanish
Degree Grantor:
University of Arizona
Advisor:
Rivero, Eliana S.

Full metadata record

DC FieldValue Language
dc.language.isoenen_US
dc.titleCuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenasen_US
dc.creatorChavez-Rivera, Armandoen_US
dc.contributor.authorChavez-Rivera, Armandoen_US
dc.date.issued2011-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.releaseEmbargo: Release after 08/08/2013en_US
dc.description.abstractCuerpos en disputa, mujer e imaginarios de nación en Hispanoamérica: Juan Francisco Manzano, Eva Perón y Reinaldo Arenas begins with the premise that the values and requirements of a patriarchal society focuses on female icons of symbolic strength and weight. As icons, women are associated as being the center of the monogamous, heterosexual family and therefore, the image of Nation. In Latin America each hegemonic national project has elevated female icons that are a compact synthesis of that nation's essential and defining values. From that idea our research expands to examine how those hegemonic national discourses and imageries are refuted in the nineteenth century through other antagonistic discourses, each in turn putting forward other paradigms of women or other bodies on the literary plane. These test gender issues, sexuality and morality, and the authorized bodies of Woman/Nation are contrasted with other discordant, subversive, fictional faces. Our objective is to discover these images of rebellion, and evaluate the literary, political and ideological dialogue that has been established through these hegemonic female icons.In this sense, the discourses related to Manzano, Evita, and Arenas, three representative figures of diverse successive historical stages within the region throughout the nineteenth and twentieth centuries --from colonial slavery, populism and communism, to the postmodern-- corroborate that, in effect: Protests and revolutions have presented their own icons of woman or other subversive or discordant bodies in the face of female paradigms set by those in power.The theoretical and critical apparatus is based on the contributions of feminist criticism on women in literature, art and Latin American politics (Helena Araújo, Hélène Cixous, Lucía Guerra-Cunningham, Josefina Ludmer, Francine Masiello and Elaine Showalter), and studies on the links between sexuality, power and society (Judith Butler, bell hook, Michael Foucault, Edward Said and G. Ch. Spivak), as well as research on the formation of societies and national imagery in Latin America since the early nineteenth century (Mabel Moraña, Walter Mignolo and Ángel Rama), all of which is framed in the context of literary and aesthetic movements from neoclassicism to post-modernity.en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.subjectGenderen_US
dc.subjectNationen_US
dc.subjectSexualityen_US
dc.subjectWomanen_US
dc.subjectSpanishen_US
dc.subjectArgentinaen_US
dc.subjectCubaen_US
thesis.degree.namePh.D.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineSpanishen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorRivero, Eliana S.en_US
dc.contributor.committeememberGilabert, Joan J.en_US
dc.contributor.committeememberMorales, Mónicaen_US
dc.contributor.committeememberRivero, Eliana S.en_US
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