Rhythmic Complexity and Structure in Two Trumpet Works of Jacques Castérède, With a Discussion of Performance Considerations

Persistent Link:
http://hdl.handle.net/10150/202719
Title:
Rhythmic Complexity and Structure in Two Trumpet Works of Jacques Castérède, With a Discussion of Performance Considerations
Author:
Ruttan, Catherine Angeline
Issue Date:
2011
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
This document explores selected trumpet works by Jacques Castérède, both in terms of musical content and performance practice. His Concertino for Trumpet, Trombone, String Orchestra, Piano, and Percussion, published in 1959, and his 1965 work for trumpet and piano, Brèves Rencontres, will serve as the focus of the document.As there is very little information available on Castérède and his music, a personal interview was conducted on May 28 of 2008, at the composer's residence in a suburb of Paris, during which his biographical details and stylistic features were discussed.Following a brief biographical introduction to the composer, the primary focus will be to examine the various levels of rhythmic complexity of these pieces, as well as studying his creation of formal structure through various musical elements including texture, orchestration, harmonic rhythm, and the use of silence. While the works feature shared characteristics such as metric dissonance, motivic development, and modified formal structures, the compositional devices vary greatly in terms of degree, technique, and result, even from movement to movement within each piece.Additionally, this document will address technical and musical issues or decisions that may arise in performance, both as an extension of Castérède's compositional technique and of the circumstances surrounding their compositional genesis.
Type:
text; Electronic Dissertation
Keywords:
Music; Castérède; trumpet
Degree Name:
D.M.A.
Degree Level:
doctoral
Degree Program:
Graduate College; Music
Degree Grantor:
University of Arizona
Advisor:
Reid, Edward F.

Full metadata record

DC FieldValue Language
dc.language.isoenen_US
dc.titleRhythmic Complexity and Structure in Two Trumpet Works of Jacques Castérède, With a Discussion of Performance Considerationsen_US
dc.creatorRuttan, Catherine Angelineen_US
dc.contributor.authorRuttan, Catherine Angelineen_US
dc.date.issued2011-
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThis document explores selected trumpet works by Jacques Castérède, both in terms of musical content and performance practice. His Concertino for Trumpet, Trombone, String Orchestra, Piano, and Percussion, published in 1959, and his 1965 work for trumpet and piano, Brèves Rencontres, will serve as the focus of the document.As there is very little information available on Castérède and his music, a personal interview was conducted on May 28 of 2008, at the composer's residence in a suburb of Paris, during which his biographical details and stylistic features were discussed.Following a brief biographical introduction to the composer, the primary focus will be to examine the various levels of rhythmic complexity of these pieces, as well as studying his creation of formal structure through various musical elements including texture, orchestration, harmonic rhythm, and the use of silence. While the works feature shared characteristics such as metric dissonance, motivic development, and modified formal structures, the compositional devices vary greatly in terms of degree, technique, and result, even from movement to movement within each piece.Additionally, this document will address technical and musical issues or decisions that may arise in performance, both as an extension of Castérède's compositional technique and of the circumstances surrounding their compositional genesis.en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.subjectMusicen_US
dc.subjectCastérèdeen_US
dc.subjecttrumpeten_US
thesis.degree.nameD.M.A.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorReid, Edward F.en_US
dc.contributor.committeememberThomas, Kelly G.en_US
dc.contributor.committeememberHanson, Gregg I.en_US
dc.contributor.committeememberReid, Edward F.en_US
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