En el Vórtice cel Huracán. Reescrituras Oblicuas del Caribe Hispano en los Discursos Literarios de Virgilio Piñera y Aída Cartagena Portalatín

Persistent Link:
http://hdl.handle.net/10150/195780
Title:
En el Vórtice cel Huracán. Reescrituras Oblicuas del Caribe Hispano en los Discursos Literarios de Virgilio Piñera y Aída Cartagena Portalatín
Author:
Fernández, Morbila
Issue Date:
2010
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
An oblique reading of the European canon constitutes the discursive center for present day Caribbean literature. In doing this, authors question Eurocentric representational codes of Caribbean identity while they create their own discourses in "a certain way", that is, from a certain perspective and by means of hybrid appropriation and synchretization of the very models that feed their imagination. As this analysis purports to show, writers Virgilio Piñera (Cuba) and Aída Cartagena Portalatín (Dominican Republic), by their rereading of the canon, establish in their works hybrid dialogs between the European There and the Caribbean Here. In that line, among the canonical cultural signifiers that the authors adopt, they privilege the appropriation of Greek myths. Piñera does this in his theater piece Electra Garrigó, and Cartagena in her novel Escalera para Electra. In Piñera's work, the main devices utilized are humor, irony, and parody of the text by Euripides, obtained by the used of "choteo", a particular brand of Cuban parodic humor in the manner of Bakhtin's carnavalization. This technique is employed along with the use of heteroglossia, which is utilized by Cartagena as well in her novel. In her work, the Dominican author constructs a parallel and intertextual reading of the same play by the Greek dramatist from the positionality of a female subject. Although with different strategies and in different literary genres, Piñera and Cartagena structure their literary discourses with themes that reflect their cultural identities from the synchretism of difference and from the perspective of a Caribbean subject. This dissertation confirms the efficacy of the discursive strategies they utilize on taking the female subject and the family as the axis of their contesting, unofficial readings of the history and cultural identity of the Caribbean.
Type:
text; Electronic Dissertation
Keywords:
Aida Cartagena; Caribbean Studies; Comparative literature; Electra Garrigo; Escalera para Electra; Virgilio Pinera
Degree Name:
Ph.D.
Degree Level:
doctoral
Degree Program:
Spanish; Graduate College
Degree Grantor:
University of Arizona
Committee Chair:
Rivero, Eliana

Full metadata record

DC FieldValue Language
dc.language.isoESen_US
dc.titleEn el Vórtice cel Huracán. Reescrituras Oblicuas del Caribe Hispano en los Discursos Literarios de Virgilio Piñera y Aída Cartagena Portalatínen_US
dc.creatorFernández, Morbilaen_US
dc.contributor.authorFernández, Morbilaen_US
dc.date.issued2010en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractAn oblique reading of the European canon constitutes the discursive center for present day Caribbean literature. In doing this, authors question Eurocentric representational codes of Caribbean identity while they create their own discourses in "a certain way", that is, from a certain perspective and by means of hybrid appropriation and synchretization of the very models that feed their imagination. As this analysis purports to show, writers Virgilio Piñera (Cuba) and Aída Cartagena Portalatín (Dominican Republic), by their rereading of the canon, establish in their works hybrid dialogs between the European There and the Caribbean Here. In that line, among the canonical cultural signifiers that the authors adopt, they privilege the appropriation of Greek myths. Piñera does this in his theater piece Electra Garrigó, and Cartagena in her novel Escalera para Electra. In Piñera's work, the main devices utilized are humor, irony, and parody of the text by Euripides, obtained by the used of "choteo", a particular brand of Cuban parodic humor in the manner of Bakhtin's carnavalization. This technique is employed along with the use of heteroglossia, which is utilized by Cartagena as well in her novel. In her work, the Dominican author constructs a parallel and intertextual reading of the same play by the Greek dramatist from the positionality of a female subject. Although with different strategies and in different literary genres, Piñera and Cartagena structure their literary discourses with themes that reflect their cultural identities from the synchretism of difference and from the perspective of a Caribbean subject. This dissertation confirms the efficacy of the discursive strategies they utilize on taking the female subject and the family as the axis of their contesting, unofficial readings of the history and cultural identity of the Caribbean.en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.subjectAida Cartagenaen_US
dc.subjectCaribbean Studiesen_US
dc.subjectComparative literatureen_US
dc.subjectElectra Garrigoen_US
dc.subjectEscalera para Electraen_US
dc.subjectVirgilio Pineraen_US
thesis.degree.namePh.D.en_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineSpanishen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.chairRivero, Elianaen_US
dc.contributor.committeememberCompitello, Malcolm Aen_US
dc.contributor.committeememberChuffe, Eliuden_US
dc.identifier.proquest10861en_US
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