From Manuscript to Performance: A Critical Edition of Ignacio de Jerusalem's Los Maitines de Nuestra Senora de la Concepcion (1768).

Persistent Link:
http://hdl.handle.net/10150/194838
Title:
From Manuscript to Performance: A Critical Edition of Ignacio de Jerusalem's Los Maitines de Nuestra Senora de la Concepcion (1768).
Author:
Blodget, Sherrill Bigelow Lee
Issue Date:
2008
Publisher:
The University of Arizona.
Rights:
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Abstract:
The purpose of this study is to make Ignacio de Jerusalem's Los Maitines de Nuestra Senora de la Concepcion (The Matins for Our Lady of the Conception), composed in 1768 for the Mexico City Cathedral, accessible to modern choral and orchestral ensembles through the creation of a historically informed edition of the work that incorporates the latest scholarship on editorial and performing practices of the Mexican Baroque. Jerusalem's manuscript is housed in the Mexico City Cathedral archive and on microfilm in the Biblioteca Nacional de Antropologia e Historia of Mexico, D.F. The Matins has not been performed since the nineteenth century, and never outside of Mexico, nor has it been the subject of scholarly research. Set for choir and chamber orchestra with arias, recitatives, and choral movements, the work represents the most elaborate of Jerusalem's compositions. This document provides background information and a discussion of performance practice and editorial protocol based on research and the performance of the Invitatory and First Nocturn of The Matins by the University of Arizona Collegium Musicum. The document culminates with a performance edition of the Invitatory and First Nocturn of Los Maitines de Nuestra Senora de la Concepcion.
Type:
text; Electronic Dissertation
Keywords:
Ignacio de Jerusalem; Maitines; Mexican Baroque; Matins; Jerusalem; Mexico City Cathedral
Degree Name:
DMA
Degree Level:
doctoral
Degree Program:
Music; Graduate College
Degree Grantor:
University of Arizona
Advisor:
Chamberlain, Bruce
Committee Chair:
Chamberlain, Bruce

Full metadata record

DC FieldValue Language
dc.language.isoENen_US
dc.titleFrom Manuscript to Performance: A Critical Edition of Ignacio de Jerusalem's Los Maitines de Nuestra Senora de la Concepcion (1768).en_US
dc.creatorBlodget, Sherrill Bigelow Leeen_US
dc.contributor.authorBlodget, Sherrill Bigelow Leeen_US
dc.date.issued2008en_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.description.abstractThe purpose of this study is to make Ignacio de Jerusalem's Los Maitines de Nuestra Senora de la Concepcion (The Matins for Our Lady of the Conception), composed in 1768 for the Mexico City Cathedral, accessible to modern choral and orchestral ensembles through the creation of a historically informed edition of the work that incorporates the latest scholarship on editorial and performing practices of the Mexican Baroque. Jerusalem's manuscript is housed in the Mexico City Cathedral archive and on microfilm in the Biblioteca Nacional de Antropologia e Historia of Mexico, D.F. The Matins has not been performed since the nineteenth century, and never outside of Mexico, nor has it been the subject of scholarly research. Set for choir and chamber orchestra with arias, recitatives, and choral movements, the work represents the most elaborate of Jerusalem's compositions. This document provides background information and a discussion of performance practice and editorial protocol based on research and the performance of the Invitatory and First Nocturn of The Matins by the University of Arizona Collegium Musicum. The document culminates with a performance edition of the Invitatory and First Nocturn of Los Maitines de Nuestra Senora de la Concepcion.en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.subjectIgnacio de Jerusalemen_US
dc.subjectMaitinesen_US
dc.subjectMexican Baroqueen_US
dc.subjectMatinsen_US
dc.subjectJerusalemen_US
dc.subjectMexico City Cathedralen_US
thesis.degree.nameDMAen_US
thesis.degree.leveldoctoralen_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.grantorUniversity of Arizonaen_US
dc.contributor.advisorChamberlain, Bruceen_US
dc.contributor.chairChamberlain, Bruceen_US
dc.contributor.committeememberChamberlain, Bruceen_US
dc.contributor.committeememberSchauer, Elizabethen_US
dc.contributor.committeememberSturman, Janeten_US
dc.identifier.proquest2849en_US
dc.identifier.oclc659750533en_US
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